Edge of Blue

A quiet tension unfolds at the threshold between structure and dissolution. Two empty chairs rest on the edge of a geometric platform, suspended above a fluid expanse of blue. Executed in oil and acrylic, the work contrasts controlled architectural lines with the raw, gestural movement of paint below. The water is not described, but felt—its presence emerging through layered, translucent strokes that evoke depth, reflection, and instability. The composition hovers between precision and release, where the built environment meets the unpredictable nature of color. What remains is a suspended moment of stillness, where space, light, and surface dissolve into a single, immersive field.